Director Biography – Fon Davis (AT THE END OF THE WORLD)

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In his three decade career, Fon Davis has worked on over 40 feature films, countless music videos, commercials, TV shows and other projects As an alumnus of the Industrial Light and Magic’s Model Shop, Fon has worked on Starship Troopers, Galaxy Quest, and Pearl Harbor feature films, as well as the Star Wars, Terminator, Mission Impossible, and Jurassic Park franchises. In addition to his work in visual effects, Fon has also worked in several art departments on Disney’s The Nightmare Before Christmas, James and the Giant Peach, Christmas Carol, Mars Needs Moms, Laika Entertainment’s Coraline and Warner Brothers The Matrix series.

More recently, Fon worked on Interstellar, Guardians of the Galaxy, and Neill Blomkamp’s Elysium. Fon is currently a creative director at Fonco Studios, a celebrity judge on ABC’s BattleBots, an instructor at the Stan Winston School, on shows including SuperFan Builds, Nerd Alert, Cake Masters, Starter Kit, Painter’s Guild, and Adam Savage’s Tested. Fon is also a content creator and public speaker, frequently using his broad knowledge in entertainment and visual storytelling to share his experience and knowledge with the world.

Fon has actively participated and supported the education, VFX, SPFX, robotics, 3d printing, maker and geek culture communities through his work with disadvantaged youth programs, conventions around the world, the Visual Effects Society, Dwayne Johnson’s Dwanta Claus organization, Glendale Unified School District, The Wounded Warrior Project, Expression College, Make: Magazine, The Make a Wish Foundation, Magic Wheelchair, and much more.

Fon has a reputation for being a kind-hearted team builder, hardworking planner and excellent troubleshooter who cares deeply about building and nurturing communities.

Director Statement

This story is a blend of old fashion romance and neo-noir, a merging of the old with the new. Love and hope are the best of things in the worst of times. We felt this story echoed current sentiment in our country where optimism and hope for the future are waning. This story was a challenge to tell because a great romance should elicit a roller coaster of emotions including empathy with other human beings. Above all, the audience has to cry both from sorrow and joy because all great romances involve tears. I believe we succeeded.

By festivalforromance

Festival driven to showcase the best of romance films and screenplays from around the world. Submit your romance genre screenplay or short film and get it showcased at the FEEDBACK Film Festival

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